My name is Gill Yaron possibly being changed to my great-great surname on my father’s side, Schwartzberg. After two years of college following high school while taking a semester off, life handed me a path that didn’t challenge my values; it elevated them rather surreptitiously. My journey exceeded anything I could have imagined, yet it was like something well lived already, with materialistic depths coming into play. Jerry’s initial turn in my direction was at a level of ultimate perfection for the level of history that was being made.
On September 3, 1988, during a Grateful Dead encore, I had a compelling, 2-minute deadlocked eye-to-eye experience with Jerry Garcia. After the last line of 17-year unsung “Ripple”, Jerry passionately made a highly forsaking 90-degree turn with his body and began a configured notarization of a very personal business basis type of meeting with me. I stood on a platform at the top of a staircase, first section forward from the stage, stage left on Jerry’s side; for the interlocking period of the “la dada” verse after the last line of “Ripple”. At this time, Jerry, very provokingly in a subtle fashion, had his back turned on everything. I would say that Jerry not facing the audience during this historic fascinating time truly was something to set people free in a physical kind of tangential fashion. This would be something to relate to Jerry’s more easy-going character of jamming with me spinning soon.
Being metaphorically stripped of pretense before my hands clasped and went to my forehead after being locked eye to eye with Jerry Garcia on that night, I had acknowledged during this segment of time, Jerry having been a part of my whole life in this kind of manner. It was perhaps with what I did with my hands as a super standard that was quite becoming and influentially humorous that it could describe Jerry’s enormous facial expression change during this interrelating period as something like “F*ck, what’re you kidding?”
With namaste performance and energy at hand, Jerry had to role play breaching contract with fair game for what was initially taking place. Aside from concert performance with my attendance along with my ice breaking concert performance with Trey of Phish in the summer of ’99 after my return east 11/4/94 because of “sector one”, for something to be finely brought out within this historical passage of time as recordable, it had to be something quite seriously mind-bending. This goes with my outside-of-show experience I had with Jerry Garcia and Trey Anastasio at very specific increments in time. Jerry in a way knew that I would spin (dance) at a level of continuance to do with this and that performances would be profoundly way over the top.
I don’t have any thoughts about anything other than getting this information out and sharing my story about inherently explicit circumstances. I’ve trained excessively as an actor so that’s a little on the funny side in the progressive realm of things transpiring.
This autobiographical blurb is to let readers know that this series has been written for its release in journalistic form. Volumes 2-4 reveal specific material about 3 statements made and one written in 3 words discussed in Volume 1. A family secret spoken or hinted about to me by my father about when I was 16 has much to do with the reflection of the level of autocratic behavior in my family and the theme of this series with the clearance requested by the FBI not being provided. It was from an investigation that began soon after my return to the east coast because of this issue measuring out that brought about the assessment made. Volumes 2-4 each have 2-3 items revealed about are mentioned in the last chapter of volume 1 with what volumes they are revealed about in.
The remainder of 3 volumes with the main story in volume 1 with 2-4 parts are volumes contributing to the 3 years of work done with preparing this series and nesting the kind of approach to be taken. There are 3 angles in this story with one angle breaking into two sectors as referred to in the series. Sector one, constituent with what the FBI was reported to about received a POW “Decoding” therapy assessment. The clearance the FBI requested for 2 reasons not being provided is the theme of this series, along with the only thing I could do with my life.
The FBI investigation began about 1 month after my return east, where there was a family attorney in case the “sector one” issue persisted. The FBI categorical investigation took about one month with my going to the home of the family attorney to receive the information they wanted me to receive. This was instructed by the FBI not to be discussed over the phone. Each volume will be released approximately 6-8-12 weeks apart from one another with former emphasis on this time span.
With this paramount type 9/3/88 experience, my hands clasped at my forehead was perhaps an exclamation of me signing things a bit too fast even though ultra perfection was at hand; I was flat on my ass on the floor after the band got off stage. With the several one-on-one experiences I had with Jerry Garcia on that tour, it slowly began to materialize with the Southern tour announced a few days after the Grateful Dead ’88 fall tour had ended. This announcement followed what took place between Garcia and me from about 25-30 feet at the Gala reception in Greenwich Village after the last Rain Forest Benefit concert of the tour. It was attended by me and a friend and took place as I stood there by myself eating a plate of food. The short 7 concert Southern tour began 2 ½ weeks later that pointed me in the westward direction where the band played year-round.
This series explores the paths of this deal portrayed about by a highly intense vastness as the very non-argumentative “only thing I could do with my life”. Ultimately, it is with what it means to take something so perverse upon this universal concept that making it public is what I was being faced with. But the way some already known about to the Grateful Dead and other colleagues within this level of value of certain and specific definitions of progress, it was also adjoined to anxiety of what took place before I settled down too fast and apart from the scene.
My departing from the scene was in a type of fashion from what has interesting and funny comparison of similarity with “the only thing I could do with my life”. This goes along with my attending concerts that became stricken somewhat quickly, intellectually, personally and more so with the concept of being “spun”. Sector one especially but also sector two had increased after moving east and so did the theatrical parody concept of what took place with my Deadhead problem beginning about 18 months after the FBI request was not provided.
This is of deepness as a sociological experiment that has its level of contamination and controversy in an overly free-spirited pertinence upon an overall prominence. With respect that there are plenty of military type ornaments at hand in life from public traffic lights to other such provided safety features, the FBI assessment for what is referred to as “sector one” in this series was in all actuality a very perfect miracle. It was like a big Christmas snowflake novelty extravaganza with the absolute perfect assessment they had made.
This website is a privileged common denominator with a high level of integrity. It is made up of concepts unifying a complex scenario.
